Introduction



It was told to me by my elders that in the days of old, there was one warrior unlike any other. When he plunged into battle, twin swords in hand, he defied all the restrictions of shape. He moved like wind, and power radiated from his every step. As he set the field ablaze, his elaborate garments would blend into a colourless swirl. Then, his form temporarily melted into nothingness.

Eyeing him from the battlements, his comrades would exclaim with joy at his invincibility. "Beheroopia!" they cried, for that is what their master had wisely named him.

Beheroopia, in times now past, meant one without set form.

Beheroopia is the spirit of India; and India takes a million forms, each a story of infinite elegance and grace. Every work of graffiti etched into crumbling walls is a window; and every folk song is a voice, calling for ears.

Since booming industrialization and standardization have overtaken modern India, however, neglect and indifference has rapidly driven that spirit of 'beheroopia' into the realm of the forgotten. It's painful to watch this exploitation our peerless past for a uniform future, as if one cannot exist with the other.

I am a historian and story teller in training, and this is only a celebration of that great pursuit of beauty. I share what the universe sees fit to have me stumble against; art, music, literature or a story worthy to re-tell.

Now, as was done by the bards in ancient times, I apologize to any who my words might offend.

(Special thanks to Indian Miniature Paintings for the Image)



Tuesday, April 1, 2014

The Death of Sarmad Kashani: Part I

The Merchant of Kashan


What can I tell you of Sarmad Kashani my friend?

A man like Sarmad is yet to walk this earth again, and a love like his is yet to inspire poetry like the kind only he could pen down, a dance like his is yet to cause all of Delhi to sway and a manner like his is yet to cause bearded clergy men to cringe with disapproval and fear.

No, there has not been a man quite like Sarmad since he passed from this world; but there has been at least one man who walked this path before Sarmad did. That man’s name was Mansur.

This may be Sarmad’s story, but it would be incomplete, I think, without at least a mention of Mansur. You see, like Sarmad, Mansur was born in Iran. Like Sarmad, Mansur would share his mysticism with the masses, and like Sarmad, Mansur too would be martyred in the never ending battle between the fundamentalists and the defiant.

As was true with many of the Sufi mystics before him, Mansur had his share of meditative experiences. So powerful were these that often they made him cry out words of great meaning, words that could give birth to nightmares in the sleep of tyrants and fanatics.

“An-al haq” were these words, “I am the truth”.

Mansur did not stop there. In the ecstasy of his trance, he would take to the city streets, “I am the truth” he would cry again and again. Then, standing out onto rooftops he would call so that all could hear.
“Underneath my turban, there lies the truth. Within my cloak there lies the truth!” Crowds would begin to gather. He would throw his hands into the air and tell them what he wanted them to hear.

“And the truth lies within each and every one of you!” His words were met with gasps; they only encouraged him. “Underneath your turban brother, there lies the truth! And your garment sister, there the truth is!” His hand gestures were frantic and eager. “All you must do is look within yourselves, and you too shall cry, An-al haq!”

His words were on the tongue of every man woman and child of the city. “An-al haq says the Sufi Mansur,” they would whisper amongst themselves, “They say he has seen through the illusion of the world, they say he has realized the truth. They say he has met the one! He tells us we can do it too.”

Words reached the ears of clergymen as well. Their hands trembled with anger as they stroked their beards. There were many cries of outrage heard in the night, “Heretic!” the voices cried, “Heretic!” again and again.

“He teaches the people that there is no heaven above us, that heaven is found within!”
“God forbid it, he must die!” came the reply.
“He teaches us that the sacred pilgrimages are useless, it is the inner pilgrimage which is true!”
“God forbid, he must die!” the voices called back again more stridently.
“It is worse, brothers. The devil child says he is the truth… the truth! Is this, in our scripture, is this not also the name accorded only to God? Is not the name of God? Surely… Surely Mansur is claiming to be God! He must die!”
“Forbid it! Blasphemy! Outrage!” The voices went wild, and Mansur’s fate was sealed.

So they summoned Mansur to the city square. They planned a most horrific end for their guest, so as to put an end to the whispers that rippled from his every step. Tears were on the eyes of many, yet others cried with a terrible rage, “Heretic! He says he is the truth, he means to say he is God!”

When the protests died down, Mansur’s reply came forth. It was calm and dignified. Some say there was happiness in his tone; “I have met the beloved” was his reply “and I have merged with the beloved. The beloved and I are one. An-al haq, I am the truth.” The crowd did not seem to have words to counter his, indeed their reply was only a roar; there were yet more calls of “Heretic!”

It is said that when they cut off his hands and legs, he only laughed. They hung him from the gallows, but not before he could cry out once again. “An-al haq” was his final cry, and that cry echoed on for a long, long time.


Mansur being prepared for the gallows. Source: Warren Hastings Album, Asian Art Collection, Brooklyn Museum.

How could the crowd, blinded in its rage, know of the mysteries the mystic Mansur spoke of? He did not preach religion (such simple labels and divisions are beyond the enlightened), he did not preach proper ways and manners as did the clergy; he only invited others to testify for themselves the falseness of this world, and the absoluteness of the truth. He peered deep within himself, severed his ego and cast it aside. Having rid himself of his most base sense of ‘self and other’, Mansur had heard the primordial vibration which resounds within everything. Now, escaping from all the bonds of illusion, Mansur saw the truth; that differentiation does not exist, and that everything is one. Nothing exists outside of this.

Oh shut up Beheroopia you fool, how can you speak of things you have little to no understanding of? You see reader, I am no mystic; I'm only a story teller. So I shall only tell you that what Mansur experienced, he decided to call ‘Al haq’. Others speak of similar experiences; the Neo-Platonists of Hellenic Egypt called it ‘the one’, the atheist Shramana monks of India called it “nirvana”. Others gave the oneness a form and name; Vaishnav mystics called it Vishnu, Shaitive ascetics called it Shiva and the sages of the Vedas called it “Brahaman”. The metaphorical poetry of the Sufis say that they ascended the seven heavens and met with an infinitely beautiful youth they called Allah. By merging with this all-spirit, they had attained that oneness. Such description was the one Mansur chose.

Though the names and forms they prescribed varied, as did their methods, the mystics understood their experience to be a shared one; it is thus no wonder that at least in the land of my birth, Hindu Bhakts, Muslim Sufis and Sikh Gurus all joined together and shared their music, called each other family and broke bread side by side.

Meanwhile, violent and manipulative fools, understanding nothing of the great mystery, made what should have been one into many. Wars were waged between brothers, messages were defiled and the vulture-like men squabbled over whose God was better and truer. When those who knew the truth spoke out against this injustice, wicked kings silenced their dangerous words. I have often thought that perhaps there is no greater evil than to seek a justification or excuse for the wickedest acts.

So, the stage was set; the battle lines were drawn- and in the 17th century, Sarmad Kashani would take command in this never ending ideological struggle. 739 years after Mansur’s murder, Sarmad would walk the same path.




Sarmad’s story did not begin in Delhi, for Delhi, in those days, was the place where good things came to a close. Well, perhaps it would be better to say this is where great stories came to climax. Even more eloquently, if I may say, friend; Delhi is where great people, like candles, came to flicker gloriously before their passing. It would be in Delhi that Sarmad was to one day hold his great showdown.

As for his birth, Sarmad’s native land was Iran; his blood was Armenian, his faith was Jewish and his tongue was Farsi. Like his forefathers before him (for the Armenians had a reputation of being the best merchants in Asia) a young Sarmad left his home city of Kashan and joined a caravan on its way to India. Sarmad carried with him Persian artworks of great precision and beauty. There, he hoped to sell these for a hefty price and with his profits bring back famed Indian jewelry to sell in the marketplaces of Kashan. Sarmad, however, would not return to see his homeland again.

Sarmad could feel the air become heavier as his ship drew closer to Hind: that is what his people called India. When he could see a thousand orange lamp lights flicker on the distant shore, I like to think Sarmad felt a great chill run down his spine. I also like to think Sarmad spent that night unable to sleep, and unable to know why.  He might not have known it then, but he had just entered the pages of history.


The Shahjahan Mosque of Thatta, a gift from Emperor Shah Jahan to the people of Sindh for their hospitality. Source: Beautiful Mosques


It must have been a busy day of trading in Thatta, a border town on the coast of the land of Sindh. It would have been Sarmad’s first experience in India, a foreign, strange and yet somewhat familiar land. We do know that he spent that evening relaxing at a Mehfil, a musical concert where men would come to share poetry and song after a hard day’s work. This concert would be no ordinary one, however.

A young man took the platform that night. Sarmad could tell by the way he dressed that he was a Hindu, a native of this land and a practitioner of its most ancient ways. His eyes were darkened with kohl and his face fresh from any mustache or beard that was a full grown man’s right. His arms were decked with beautiful jewelry and his turban was the brightest scarlet, complemented by a vivid gold-saffron sash.

When he opened his mouth and let his alap explode forth, however, it was as if all time stopped for Sarmad. In that moment, it was as if only two sounds existed in all the universe; there was the youth’s elegant alap, gliding effortlessly through the parameters of Raag Bhoopali, and then there was Sarmad’s wild beating heart, unrestrained, free and quivering with passion. Then, melody and rhythm joined together, and they made wondrous music. Perhaps the youth heard Sarmad’s wild heart; for in that instance he turned his head ever so slightly and let his darkened eyes meet Sarmad’s gaze. It might have been for a second, but it was enough to set Sarmad on fire; his body trembled like leaves in a storm and his eyes forced themselves shut in a feeble attempt to silence the world for just a few moments.

Sarmad thought then of his coming ruin, and he could only smile. The merchant of Kashan had fallen in love.



To be continued.






No comments :

Post a Comment